Marty ,just wanted to say keep up the good work, anyway here is my question:
In the "lucretia" solo was the thought process behind such an intricate chord progression?

Thanks

If you remove the passing tones from the chord progression, it becomes pretty normal and easy to understand. I basically ignored the passing tones(something I normally would not recommend) but made up for it by following each chord separately with a different motif for almost every chord(something I would recommend).