1)Did you use a lot of compression to get that killer distortion on this album?
2) which Laney head did you play through?
2) How did you pull of the weird and cool dissonant section on "saturation point"?
MARTY'S ANSWER:
1. Boss Super Over Drive Pedal
2. At that time I used a Marshall 100 Watt amp
3. That was a long section of consecutive '12 tone rows' (random non-chromatic passages with no repeating notes) harmonized with unrelated '12 tone rows'.
